Literature Quotes (Psychology of Music)
Psychology of Music by Carl E. Seashore.
Rhythm
- "There are two fundamental factors in the perception of rhythm: an instinctive tendency to group impressions in hearing and a capacity for doing this with precision in time and stress".
- " The development of this ability results in power to handle vast numbers of sounds with ease, and this success is a source of pleasure. And that is true, not only in poetry and in music, but in our natural hearing, even under primitive conditions. thus, Rhythm has become a biological principle of efficiency, a condition for advance and achievement and a perceptual source of satisfaction"
- "Rhythm favours perception by grouping".
- "Rhythm adjusts the strain of attention".
- "Rhythm gives us a feeling of balance".
- "The sense of Rhythm gives us a feeling of freedom, luxury, and expanse. It gives us a feeling of achieving in moulding or creating".
- "Rhythm gives us a feeling of power, it carries"
- "It stimulates and lulls, contradictory as this may seem. Pronounced Rhythm brings on results in a mild form of ecstasy or absent mindedness, a loss of conciousness of the environment".
- "Rhythmic Periodicity is instinctive".
- "Rhythm finds resonance in the whole organism. It is not a matter of the ear or the finger only; it is a matter of the two fundamental powers of life, namely, knowing and acting".
- "Rhythm arouses sustained and enriching associations".
- "Rhythm reaches out in extraordinary detail and complexity with progressive mastery".
- "The instinctive craving for the experience of rhythm results in play, which is the free self-expression for the pleasure of expression".
Loudness
- "Volume as a musical characteristic of tone is a complex experience resting upon the frequency, the intensity , the duration, and the harmonic constitution of the physical stimulus, and largely influenced by associational affective, and motor factors in perception".
Pitch
- "Pitch is the qualitative attribute of auditory sensation which denotes highness and lowness in the musical scale and is conditioned primarily on the frequency of sound waves".
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